Woles

While up north for the recent holiday weekend, I managed to get in some paddle carving time to finalize the nearly complete c. 1849 Passamaquoddy replica begun back in January. Here's a shot by the lakeside on a bright, brisk day using the picnic table "workbench". The communal beach all groomed and loungers all set for the upcoming tourist season.


Carving by the lake
After wetting the grain and sanding it down, I brought the paddle back home to the city. Yellow Poplar certainly makes for a lightweight paddle - my official quality control tester had a easy time lifting it with one hand and running around the place with it.


Rigorous Quality Testing
The major item I struggled with in this design was balancing the paddle...in the end it just ended up being too blade heavy. Kind of obvious I guess given the large shape and the relatively small handle. My feeling is that perhaps the original paddle documented by Adney would've been balanced, but only because the paddle was illustrated as being much longer than my replica (71.5" vs. my 58" version).


Adney's sketch - Diamond Bladed Passamaquoddy in middle
Had I digitally reduced the paddle to scale to fit my preferred paddle length, the blade size would've been unusually small. Still, in the future when replicating longer paddle designs to a my own functional paddle length, this will need to be considered if a throat-balanced paddle is the final goal.

In any event, it's ready for the decoration stage and I've decided to keep this one much more simple than the recent Northwoods paddle where I went overboard.

MAY 24, 2011 Update: Paddle finally completed...go to Part 4

Even though traditional canoeing in my area of Canada evolved for the many inland lakes and rivers in the region, I've also been interested in the large ocean-going, cedar dugout canoes of the North West coast. The Indigenous Peoples of the this Region carved amazing, exotic shaped paddles from the prevalent cedars found in that part of the country.

Warren's Canoe Paddles book has a outline sketch of one particular North West coast paddle made from the Nootka People, more correctly known as the Nuu chah nulth. It is a peculiar in that it has a large area, sweeping blade that ends in a protruding tip and a long, flattened shaft region with roll-style grip. The few online versions I've been able to find are high end artworks decorated in the amazing style of the region. On the right is an example I found on the Inuit Gallery of Vancouver website (Scroll down in the Northwest Sculpture section to find it). The paddles details:

Eagle Design Paddle
by Morris Sutherland
Nuu chah nulth
Carved paddle of yellow cedar and abalone
65" x 7" x 1.5"


What a beauty! Upon doing some more research, I found out that "yellow cedar" is not a true cedar at all, but a member of the cypress family. It's other common name, Nootka Cypress, and latin name Callitropsis nootkatensis, are named in honour of the Nootka people. My local supplier didn't carry it and finding quality (non constuction grade) Western Red Cedar was also challenging. In the end, I thought I would use another "yellow" wood that is also not a member of the tree family its name implies...Yellow Poplar (Liriodendron tulipifera), a member of the Tulip family and apparently not a true poplar at all.

This is another paddle in which I never took any pictures of the carving process (done up at the cottage over a sunny weeklong holiday in the summer). It also contained what I perceived as my first major error in paddlemaking. While sawing out the blank, I cut too deep into the shaft area, resulting in an extremely narrow (less than 1") throat area. My only consolation is that cedar & cypress wood are quite soft requiring thicker shafts, but Yellow Poplar is a hardwood that could probably withstand this error if used lightly. A roll style grip was carved (similar to the Cherry Fusion Paddle) but it was left protuding much more than other Nootka paddles I had seen. This was done for my own preference of a larger grip area. I took it out for a test run on the lake in order to wet the grain before final sanding and even though it was meant for ocean-worthy dugouts, I found the shape and style conducive to solo style paddling in a smaller canoe.

As for decorating, I wanted to maintain the native decor and ideally burn a Raven image, seemingly appropriate for this work. Months went by before any suitable idea could be found. On my last visit to Canadian Canoe Museum in the fall of 2007 (can't get enough of that place), I took a shot of some Haida paddles on display with a dugout canoe. I really liked the 2nd paddle from the top, an elongated raven image.


A few days later, I was reading a back issue Canoe Roots magazine (Fall 2006), where there was an article discussing Kirk Wipper's history of collecting canoes that ultimately formed the basis of the museum today. In it was pic of a Haida canoe with an identical Raven image painted on the bow. Check out the specific page on the online archive here. So I burned this image, flipping the orientation so that the "beak" of the bird pointed towards the tip while adding some extra background markings on the blade. By burning at high temperature, the wood was charred almost black, nearly mimicking the effect painting with black acrylic. Here are the results:



Haida Raven on the Blade


My interpretation of a Nuu chah nulth Paddle

Yellow Poplar doesn't have the rot-resistant properties of cedars / cypresses, so this paddle will need to be varnished before use, but I haven't done that yet and am debating of leaving it as as another wallmounted showpiece